The Many Saints of Newark should have been a miniseries

Critics are divided on the film. The many saints of Newark, And many of the problems could have been avoided by using a miniseries format for the prequel. David Chase’s feature film provides viewers with a glimpse into the backstory of The sopranos, showing how a young Tony Soprano was mentored by Dickie Moltisanti. Unfortunately, the format of a two-hour movie makes many plot points feel rushed or unsatisfying, resulting in The many saints of Newark ‘s mixed reviews.

Set decades before The sopranos In the Newark of the 1960s and 1970s, The many saints of Newark describes Dickie’s rise through the DiMeo crime family, his turbulent relationship with his father’s young wife, Giuseppina, and his abrupt death. The film also introduces the character of Harold, a black gangster struggling to find a place amidst the racism of the mob and society in general. The many saints of Newark also includes flashes of younger versions of various Sopranos characters like Livia, Junior and Carmela.

This is all a lot to pack in two hours, and the film rushes through much of its exposure and leaves some central plot points unresolved. Many scenes, especially in the first half of The many saints of NewarkThey are very fast and establish a world without it feeling really lived. A limited series on HBO would allow more time to introduce characters at a more measured pace without relying on cumbersome devices like Christopher Moltisanti’s (Michael Imperioli) narration from beyond the grave. A larger story told in 6-10 episodes would have been a better format for the project, allowing it to fully develop its story and characters.

The sopranos has always had an extensive mode of storytelling prone to digressions, perfectly suited for a serialized television series. The many saints of Newark takes a similar approach, but with no time to explore the stories at will. A miniseries could have provided a suitable resolution to Harold’s story and better develop important relationships and plot points like Junior’s feud with Dickie. You could also venture into the backstories of Sopranos characters like Carmela and Tony Blundetto, who appear only briefly in The many saints of Newark. A television format would also be better suited to the strengths of The many saints of Newarkwriter David Chase and director Alan Taylor, both best known for their work on The sopranos. Both men have had less success in the movie world, with Chase Do not fade away and Taylor-directed blockbusters such as Thor: The Dark World meeting answer in silence. The many saints of NewarkThe box office results suggest that it will follow a similar path.

The kind of long story and understated direction he did The sopranos Such a classic TV show is more difficult to translate into the limited runtime of a movie. Movie audiences also expect a greater amount of visual appeal and narrative resolution, while The many saints of Newark it often feels like two television episodes are linked. A televised or streaming miniseries would have allowed Chase to tell stories in the best way. A limited series, unlike an ongoing show like The sopranos, would still allow The many saints of Newark to tell a deliberate and autonomous story from beginning to end. Weather The many saints of Newark creates sequel possibilities, resolving its plots into a contained series would have provided more closure and avoided the bloat of modern cinematic universes. Ultimately, while The many saints of Newark has so many strengths, it would have been a more satisfying narrative as a miniseries.

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